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The award-winning author of Gods of Jade and Shadow (one of the 100 best fantasy novels of all time, TIME magazine) returns with a mesmerising feminist Gothic fantasy, in which a glamorous young socialite discovers the haunting secrets of a beautiful old mansion in 1950s Mexico.
He is trying to poison me. You must come for me, Noemí. You have to save me.
When glamorous socialite Noemí Taboada receives a frantic letter from her newlywed cousin begging to be rescued from a mysterious doom, it's clear something is desperately amiss. Catalina has always had a flair for the dramatic, but her claims that her husband is poisoning her and her visions of restless ghosts seem remarkable, even for her.
Noemí's chic gowns and perfect lipstick are more suited to cocktail parties than amateur sleuthing, but she immediately heads to High Place, a remote mansion in the Mexican countryside, determined to discover what is so affecting her cousin.
Tough and smart, she possesses an indomitable will, and she is not afraid: not of her cousin's new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not of the house itself, which begins to invade Noemi's dreams with visions of blood and doom.
Her only ally in this inhospitable abode is the family's youngest son. Shy and gentle, he seems to want to help, but might also be hiding dark knowledge of his family's past. For there are many secrets behind the walls of High Place. The family's once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness.
And Noemí, mesmerised by the terrifying yet seductive world of High Place, may soon find it impossible to leave this enigmatic house behind . . .
'This is historical fantasy at its best' S.A. Chakraborty, author of The City of Brass
Inspired by Mexican folklore, Gods of Jade and Shadow is a magical, wildly imaginative coming-of-age tale for fans of Katherine Arden, Naomi Novik and Helene Wecker.
The Jazz Age is in full swing, but Casiopea Tun is too busy scrubbing floors in her wealthy grandfather's house to do more than dream of a life far from her small town in southern Mexico.
Until the day she accidentally frees an ancient Mayan god of death, who offers her a deal: in return for Casiopea's help in recovering his throne, he will grant her whatever she desires.
From the jungles of Yucatán to the bright lights of Mexico City and deep into the darkness of Xibalba, the Mayan underworld, Casiopea's adventure will take her on a perilous cross-country odyssey beyond anything she's ever known.
Success will make her every dream come true, but failure will see her lost, for ever . . .
'Wondrous and magical' Kevin Hearne, author of The Iron Druid Chronicles
'Evocative and moving' Rebecca Roanhorse, author of Trial of Lightning
'An adventure for the mind and the heart' Christina Henry, author of Alice
'A joy to read' Genevieve Cogman, author of The Invisible Library series
A BEST BOOKS OF SUMMER 2019 PICK BY PUBLISHERS WEEKLY
ONE OF THE HOTTEST BOOKS OF SUMMER BY GOODREADS
A SUMMER 2019 B&N DISCOVER GREAT NEW WRITERS SELECTION
From the New York Times bestselling author of Mexican Gothic comes a sweeping romance rich with love and betrayal, with more than a dash of magic.
'One of the most beautiful books I've read in a long time' MJ Rose, New York Times bestselling author of the Reincarnationalist series
They are the Beautiful Ones, Loisail's most notable socialites, and this spring is Nina's chance to join their ranks, courtesy of her well-connected cousin and his calculating wife. But the Grand Season has just begun and already Nina's debut has gone disastrously awry. She has always struggled to control her telekinesis: the haphazard manifestations of her powers have long made her the subject of gossip - malicious neighbours even call her the Witch of Oldhouse.
But Nina's life is about to change, for there is a new arrival in town: Hector Auvray, the renowned entertainer, who has used his own telekinetic talent to perform for admiring audiences around the world. Nina is dazzled by Hector, for he sees her not as a witch, but ripe with magical potential. Under his tutelage, Nina's talent blossoms - as does her love for the great man.
But great romances are for fairy-tales, and Hector is hiding a secret bitter truth from Nina - and himself - that threatens their courtship.
The Beautiful Ones is a charming tale of love and betrayal and the struggle between conformity and passion, set in a world where scandal is a razor-sharp weapon.
Welcome to Mexico City, an oasis in a sea of vampires. Domingo, a lonely garbage-collecting street kid, is just trying to survive its heavily policed streets when a jaded vampire on the run swoops into his life. Atl, the descendant of Aztec blood-drinkers, is smart and beautiful - and very dangerous. Domingo is mesmerised.
Atl needs to escape the city quickly, to get far away from the rival narco-vampire clan relentlessly pursuing her. Her plan doesn't include Domingo, but little by little, she finds herself warming up to the scrappy young man and his undeniable charm. As the trail of corpses stretches behind her, local cops and crime bosses both start closing in.
Vampires, humans, cops, and criminals collide in the dark streets of Mexico City. Atl and Domingo stand little chance at all of making it out alive before the city devours them all - but they are determined to try . . .
1970s Mexico City: while student protests and political unrest consume the city, Maite seeks escape from her humdrum life in the stories of passion and danger filling the latest issue of Secret Romance.
She is deeply envious of her neighbour, a beautiful art student apparently living the life of excitement and intrigue Maite craves - so when Leonora disappears under suspicious circumstances, Maite finds herself searching for the missing woman, journeying deep into Leonora's secret life of student radicals and dissidents.
'Cements Silvia Moreno-Garcia's incredible versatility as an amazing writer who moves between genres effortlessly. A lush, magnificent trip into a world of danger and discovery. Not to be missed!' S.A. COSBY, author of BLACKTOP WASTELAND
But someone else is also looking for Leonora, at the behest of his boss, a shadowy figure who commands goon squads dedicated to squashing political activists. Elvis is an eccentric criminal who longs to escape his own life: he loathes violence and loves old movies and rock 'n' roll. Watching Maite from a distance, he comes to see her as a kindred spirit who shares his love of music and the unspoken loneliness of his heart.
As Maite and Elvis come closer to discovering the truth behind Leonora's disappearance, they can no longer escape the dangers threatening to consume their lives, with hitmen, government agents and Russian spies all aiming to find or protect Leonora's secrets - at gunpoint.
Velvet Was the Night: an edgy, passionate, simmering noir thriller from a writer at the very top of her game.
Meche, awkward and fifteen, has two equally unhip friends – Sebastian and Daniela – and a whole lot of vinyl records to keep her company. When she discovers how to cast spells using music, the future looks brighter for the trio. The three friends will piece together their broken families, change their status as non-entities, and maybe even find love...
Mexico City, 2009: Two decades after abandoning the metropolis, Meche returns alone for her estranged father’s funeral.
It’s hard enough to cope with her family, but then she runs into Sebastian, reviving memories from a childhood she thought she buried a long time ago. What really happened back then? What precipitated the bitter falling out with her father? Is there any magic left?
Amelia dreams of Mars. The Mars of the movies and the imagination, an endless bastion of opportunities for a colonist with some guts. But she’s trapped in Mexico City, enduring the drudgery of an unkind metropolis, working as a rent-a-friend, selling her blood to old folks with money who hope to rejuvenate themselves with it, enacting a fractured love story. And yet there’s Mars, at the edge of the silver screen, of life.
It awaits her.
Baja California, 1979. Viridiana spends her days watching the dead sharks piled beside the seashore, as the fishermen pull their nets. There is nothing else to do, nothing else to watch, under the harsh sun. She’s bored. Terribly bored. Yet her head is filled with dreams of Hollywood films, of romance, of a future beyond the drab town where her only option is to marry and have children.
Three wealthy American tourists arrive for the summer, and Viridiana is magnetized. She immediately becomes entwined in the glamorous foreigners’ lives. They offer excitement, and perhaps an escape from the promise of a humdrum future. When one of them dies, Viridiana lies to protect her friends. Soon enough, someone’s asking questions, and Viridiana has some of her own about the identity of her new acquaintances. Sharks may be dangerous, but there are worse predators nearby, ready to devour a naïve young woman who is quickly being tangled in a web of deceit.
Spanning a variety of genres—fantasy, science fiction, horror—and time periods, Silvia Moreno-Garcia's exceptional debut collection features short stories infused with Mexican folklore yet firmly rooted in a reality that transforms as the fantastic erodes the rational. This speculative fiction compilation, lyrical and tender, quirky and cutting, weaves the fantastic and the horrific alongside the touchingly human. Perplexing and absorbing, the stories lift the veil of reality to expose the realms of what lies beyond with creatures that shed their skin and roam the night, vampires in Mexico City that struggle with disenchantment, an apocalypse with giant penguins, legends of magic scorpions, and tales of a ceiba tree surrounded by human skulls.
An enjoyable and rollicking ride, this collection contains 20 short stories that explore a broad spectrum of the undead, from Romero-style corpses to zombies inspired by Canadian Aboriginal mythology, all shambling against the background of the Great White North. The anthology's specific focus on Canadian settings distinguishes it from the pack, and its exploration of many types of zombies weaves a vast compendium of fiction. Strong writing and imagination are showcased in clever stories that take readers through thrills, chills, kills, carnage, horror, and havoc wreaked across the country. Tales deal with a lone human chasing zombies across an icy landscape after the apocalypse, whales returning from the depths to haunt the southern coast of Labrador, a marijuana grow-op operation in British Columbia experiencing problems when the dead begin to attack, and a corpse turned into a flesh puppet for part of a depraved sex show, among other topics. Providing a unique location and mythology that has not been tackled before, Dead North will appeal to speculative fiction, horror, and zombie fans.
Featuring Kelley Armstrong, Margaret Atwood, Courtney Bates-Hardy, Greg Bechtel, Jocko Benoit, Jeremy Butler, Siobhan Carroll, Peter Chiykowski, Eric Choi, Suzanne Church, David Clink, A.M. Dellamonica, Cory Doctorow, Puneet Dutt, Amal El-Mohtar, Gemma Files, Zsuzsi Gartner, Neile Graham, Lisa L. Hannett, Shivaun Hoad, Ada Hoffman, Nalo Hopkinson, Louisa Howerow, Matthew Hughes, Matthew Johnson, Catherine MacLeod, Helen Marshall, Matt Moore, Silvia Moreno-Garcia, David Nickle, Rhonda Parrish, Tony Pi, Ranylt Richildis, Holly Schofield, Trevor Shikaze, Kate Story, Jean-Louis Trudel, Peter Watts, A.C. Wise, and Rio Youers.