Faça download dos Aplicativos de Leitura Kindle Gratuitos e comece a ler eBooks Kindle nos mais populares smartphones, tablets e computadores pessoais. Para enviar o link de download para seu smartphone por SMS, use o formato internacional sem espaços (Código Internacional+DDD+Número. Exemplo: +551199999999)
Para receber o link de download digite seu celular:
The War of Art (English Edition) eBook Kindle
eBooks em oferta na Loja Kindle
Todos os dias, novos eBooks com desconto. Vem.
Descrição do produto
Sobre o Autor
Trecho. © Reimpressão autorizada. Todos os direitos reservados
Bestselling Author of Story: Substance, Structure, Style, and the Principles of Screenwriting
On The War of Art
Steven Pressfield wrote The War of Art for me. He undoubtedly wrote it for you too, but I know he did it expressly for me because I hold Olympic records for procrastination. I can procrastinate thinking about my procrastination problem. I can procrastinate dealing with my problem of procrastinating thinking about my procrastination problem. So Pressfield, that devil, asked me to write this foreword against a deadline, knowing that no matter how much I stalled, eventually I'd have to knuckle down and do the work. At the last possible hour I did, and as I leafed through Book One, "Defining the Enemy," I saw myself staring back guilty-eyed from every page. But then Book Two gave me a battle plan; Book Three, a vision of victory; and as I closed The War of Art, I felt a surge of positive calm. I now know I can win this war. And if I can, so can you.
To begin Book One, Pressfield labels the enemy of creativity Resistance, his all-encompassing term for what Freud called the Death Wish-that destructive force inside human nature that rises whenever we consider a tough, long-term course of action that might do for us or others something that's actually good. He then presents a rogue's gallery of the many manifestations of Resistance. You will recognize each and every one, for this force lives within us all-self-sabotage, self-deception, self-corruption. We writers know it as "block," a paralysis whose symptoms can bring on appalling behavior.
Some years ago I was as blocked as a Calcutta sewer, so what did I do? I decided to try on all my clothes. To show just how anal I can get, I put on every shirt, pair of pants, sweater, jacket, and sock, sorting them into piles: spring, summer, fall, winter, Salvation Army. Then I tried them on all over again, this time parsing them into spring casual, spring formal, summer casual... Two days of this and I thought I was going mad. Want to know how to cure writer's block? It's not a trip to your psychiatrist. For as Pressfield wisely points out, seeking "support" is Resistance at its most seductive. No, the cure is found in Book Two: "Turning Pro."
Steven Pressfield is the very definition of a pro. I know this because I can't count the times I called the author of The Legend of Bagger Vance to invite him for a round of golf, and although tempted, he declined. Why? Because he was working, and as any writer who has ever taken a backswing knows, golf is a beautifully virulent form of procrastination. In other words, Resistance. Steve packs a discipline forged of Bethlehem steel.
I read Steve's Gates of Fire and Tides of War back-to-back while traveling in Europe. Now, I'm not a lachrymose guy; I hadn't cried over a book since The Red Pony, but these novels got to me. I found myself sitting in cafés, choking back tears over the selfless courage of those Greeks who shaped and saved Western civilization. As I looked beneath his seamless prose and sensed his depth of research, of knowledge of human nature and society, of vividly imagined telling details, I was in awe of the work, the work, all the work that built the foundation of his riveting creations. And I'm not alone in this appreciation. When I bought the books in London, I was told that Steve's novels are now assigned by Oxford history dons who tell their students that if they wish to rub shoulders with life in classical Greece, read Pressfield.
How does an artist achieve that power? In the second book Pressfield lays out the day-by-day, step-by-step campaign of the professional: preparation, order, patience, endurance, acting in the face of fear and failure-no excuses, no bullshit. And best of all, Steve's brilliant insight that first, last, and always, the professional focuses on mastery of the craft.
Book Three, "The Higher Realm," looks at Inspiration, that sublime result that blossoms in the furrows of the professional who straps on the harness and plows the fields of his or her art. In Pressfield's words: "When we sit down each day and do our work, power concentrates around us...we become like a magnetized rod that attracts iron filings. Ideas come. Insights accrete." On this, the effect of Inspiration, Steve and I absolutely agree. Indeed, stunning images and ideas arrive as if from nowhere. In fact, these seemingly spontaneous flashes are so amazing, it's hard to believe that our unworthy selves created them. From where, therefore, does our best stuff come?
It's on this point, however, the cause of Inspiration, that we see things differently. In Book One Steve traces Resistance down its evolutionary roots to the genes. I agree. The cause is genetic. That negative force, that dark antagonism to creativity, is embedded deep in our humanity. But in Book Three he shifts gears and looks for the cause of Inspiration not in human nature, but on a "higher realm." Then with a poetic fire he lays out his belief in muses and angels. The ultimate source of creativity, he argues, is divine. Many, perhaps most readers, will find Book Three profoundly moving.
I, on the other hand, believe that the source of creativity is found on the same plane of reality as Resistance. It, too, is genetic. It's called talent: the innate power to discover the hidden connection between two things-images, ideas, words-that no one else has ever seen before, link them, and create for the world a third, utterly unique work. Like our IQ, talent is a gift from our ancestors. If we're lucky, we inherit it. In the fortunate talented few, the dark dimension of their natures will first resist the labor that creativity demands, but once they commit to the task, their talented side stirs to action and rewards them with astonishing feats. These flashes of creative genius seem to arrive from out of the blue for the obvious reason: They come from the unconscious mind. In short, if the Muse exists, she does not whisper to the untalented.
So although Steve and I may differ on the cause, we agree on the effect: When inspiration touches talent, she gives birth to truth and beauty. And when Steven Pressfield was writing The War of Art, she had her hands all over him.
--Este texto se refere à uma edição alternativa kindle_edition
Detalhes do produto
- ASIN : B007A4SDCG
- Editora : Black Irish Entertainment LLC (11 novembro 2011)
- Idioma : Inglês
- Tamanho do arquivo : 1060 KB
- Quantidade de dispositivos em que é possível ler este eBook ao mesmo tempo : Ilimitado
- Leitura de texto : Habilitado
- Leitor de tela : Compatível
- Configuração de fonte : Habilitado
- X-Ray : Habilitado
- Dicas de vocabulário : Habilitado
- Número de páginas : 192 páginas
- Ranking dos mais vendidos: Nº 3,800 em Loja Kindle (Conheça o Top 100 na categoria Loja Kindle)
- Avaliações dos clientes:
Avaliação de clientes
Avaliações com imagens
Principais avaliações do Brasil
Ocorreu um problema para filtrar as avaliações agora. Tente novamente mais tarde.
Em "The war of art" (A guerra da arte), Steven Pressfield apresenta e desenvolve o conceito de Resistência, o maior inimigo do artista. A primeira parte do livro é dedicada à definição de Resistência; a segunda parte, ao combate à Resistência; e a terceira parte, à visão espiritual do autor sobre inspiração e outras facetas da vida artística.
A Resistência é a força invisível, interna e insidiosa que impede o artista de sentar e trabalhar. Embora a procrastinação esteja relacionada ao problema, ela é apenas um dos sintomas da Resistência, que também incluem aderir a vícios de todos os tipos, inventar motivos racionais para evitar o projeto, fazer-se de vítima, entre outros.
Os capítulos são curtíssimos; caberiam numa postagem de Facebook. Isso não me incomodou. Os livros de autoajuda precisam ser breves. Primeiro, porque não costumam trazer revelações inéditas ou complicadas, mas somente reafirmam o que o leitor, no fundo, já sabia que devia fazer. Segundo, porque ou se lê ou se trabalha; em outras palavras, é necessário terminar o livro logo e colocar as mãos na massa. Por isso, considero "The war of art" bem-sucedido. É um sussurro franco e direto ao pé do ouvido que diz: vença o medo e vá escrever o seu livro!
Não existe o manual mágico que vai salvar a nossa vida. Mas existem conversas reconfortantes e inspiradoras. "The war of art" foi uma conversa desse tipo.
"Unalleviated, Resistance mounts to a pitch that becomes unendurable. At this point vices kick in. Dope, adultery, web surfing. Beyond that, Resistance becomes clinical. Depression, aggression, dysfunction. Then actual crime and physical self- destruction. Sounds like life, I know. It isn't. It's Resistance."
This quote is the summary of this book. Resistance is the reason of all disgraces.
If you want to make the most of this book, read it with an open mind. Don't give up on it just because you've read some sentences you didn't like. Try to understand what is the point in this or that radical part, absorb this knowledge and apply it for your life.
Principais avaliações de outros países
Clearly Steven has read widely across cultures, subject matter and literature. Clearly he has a talent for writing. But as a non-fiction work, I think this was poorly targeted.
It srarts with a kick-ass be a professional, not an amateur section - which I entirely agree with and enjoyed.
It then descends into a religious and philosophical rant that had little meaning or relevance to me.
Maybe if the blurb had made it clearer who it was targeted at, i.e. religious writers, seeking answers as to where they get their talent, then I wouldn't have picked it up.
Clearly the right target audience find it inspiring. The blurb didn't make it clear that I'm not part of it.
And you feel that HIGH once a book is finished, eager and enthusiastic to apply all the knowledge you've gained and to see some results.
And the days go by... you slowly realize you're actually going nowhere, atleast not as much as you desire and expected.
You know what to do, you know how to do, but you won't seem to be able to apply the knowledge in realtime. And it sucks, i know that feeling.
And you slowly fall into the vicious circle.
You slowly take some other book that you hope atleast will help with your problem.
You pick a book.... you'll read... feels motivated.... days go by.... you realize.... it sucks... you start again( i hope)
THIS IS WHERE "TheWARofART" is a LIFE SAVING BOOK.
When you see that you're going nowhere even after knowing what to do. You'll slowly fall into the depressing thought process that may be YOU WILL NEVER BE THAT GUY YOU WANNA BE.
In every self-help book that we read hardly anyone was able to put the problem we are facing in such a way like in WARofART, where it truly kicks in your ass and makes you aware of the RESISTANCE you're facing ever since you know your self.
if you suck at taking ACTION about anything, and feeling how to do it. Just pick up this book and read it... take the book with you, when ever you're feeling of resistance or its disguised forms, read few pages from the book.
I bet you wont be sitting there idle once you finish this true gem of a book.. but will go and do your long held unfinished, undared stuff.
This is my first review ever since i'm puchasing books/anything from amazon. I thought of writing for some.. but you see RESISTANCE is a b***h. but now I did.
It's all those simple actions that makes a difference in a long run. And WarOfArt will help you beat the RESISTANCE and take that ACTION.
All the best. :)