Oswald Spengler

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Oswald Spengler (1880-1936) war ein deutscher Geschichtsphilosoph, Kulturhistoriker und antidemokratischer politischer Schriftsteller.
Jahre der Entscheidung. Deutschland und die weltgeschichtliche Entwicklung ist eine politisch-philosophische Schrift. Spengler plädiert, mit seinem Vorbild Friedrich Nietzsche, für einen Pessimismus der Stärke, der sich von dem der Feigen und Müden absetze. Das Leben sei beständiger Krieg, wenn auch nicht immer in den Formen der physischen Gewalt: "Der Mensch ist ein Raubtier", und "der Kampf ist die Urtatsache des Lebens, ist das Leben selbst". Die Verwandtschaft solcher Gedanken mit denen des traditionellen Sozialdarwinismus des 19. Jahrhunderts ist nicht zu leugnen.
Oswald Spengler (1880-1936) war ein deutscher Geschichtsphilosoph, Kulturhistoriker und antidemokratischer politischer Schriftsteller.
According to Spengler, technology has not only made it possible for man to harness the forces of nature; it has also alienated him from nature. Modern technology now dominates our culture instead of that which is natural and organic. After having made himself the master of nature, man has himself become technology’s slave. ‘The victor, crashed, is dragged to death by the team’, Spengler summarises.
Finally, Spengler foresaw that Western man would eventually grow weary of his increasingly artificial lifestyle and begin to hate the civilisation he himself created. There is no way out of this conundrum as the unrelenting progress of technological development cannot be halted. The current high-tech culture of the West is therefore doomed, destined to be consumed from within and destroyed. A time will come, Spengler writes, when our giant cities and skyscrapers have fallen in ruins and lie forgotten ‘just like the palaces of old Memphis and Babylon’. It remains to be seen if this last, and most dire, of Spengler’s prophecies will also come true.
The German historian and philosopher Oswald Spengler (1880–1936) was one of the most influential thinkers of the twentieth century. In 1904 he was awarded a doctorate from the University of Halle for a dissertation on the philosophy of Heraclitus. Spengler then left the university to work as a teacher at a gymnasium school in Hamburg. After having received a small inheritance from his mother in 1911, Spengler quit his position as a teacher, moved to Munich, and started out on a new career as a writer. His breakthrough came in 1918 when the first volume of his magnum opus The Decline of the West was published.
In The Decline of the West, Spengler argues that civilisations inevitably go through a series of cycles of rise and decline. They are born, bloom, and then fade away as if they were living entities. According to Spengler, Western civilisation has entered its final, declining phase and is slowly dying. The Decline of the West became a bestseller and was widely discussed in intellectual and academic circles.
The Decline of the West made Spengler a household name. He became one of the leading figures of the so-called ‘Conservative Revolution’ — an intellectual movement in Weimar Germany that sought to rebuild the German nation based on conservative synthesis of nationalist, conservative, and socialist principles following the fall of the Hohenzollern empire, calling for a ‘third way’ between liberal democracy and Communism. After the Nazis’ ascension to power in 1933, Spengler became increasingly marginalised. His last major work, The Hour of Decision, was banned by the Nazi censors due to its criticisms of certain aspects of Nazi ideology. Three years later Spengler passed away from natural causes at his home in Munich.
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"If therefore we are to discover in what form the destiny of the Western Culture will be accomplished, we must first be clear as to what culture is, what its relations are to visible history, to life, to soul, to nature, to intellect, what the forms of its manifestation are and how far these forms — peoples, tongues and epochs, battles and ideas, states and gods, arts and craftworks, sciences, laws, economic types and world ideas, great men and great events — may be accepted and pointed to as symbols."
Der Kauf dieser Kindle-Edition beinhaltet die kostenlose, drahtlose Lieferung auf Ihren Kindle oder Ihre Kindle-Apps.
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The first volume of Oswald Spengler's The Decline of the West is a classic milestone in the annals of historiography. However, it is not a history book in the traditional sense of recounting events in chronological order. Instead, it tries to explain the mechanisms that make different cultures tick. While classical culture had no concept of the past or future and was only fixated on the present, Western culture is focused on both the past as memory and the future as unconquered territory.
Like organisms that are born, mature and eventually die, cultures are the blossoming youth while civilizations usher in senility, decay and demise. When a culture becomes a civilization, decadence sets in and the ensuing downward spiral becomes a Faustian whirlwind of self-destruction. This is inevitable as we can see that each culture's evolution has its parallels in other periods of human history.
The endgame for the West has already begun. It is in terminal decline, desperately trying to revive the dead forms and buried traditions that animated its Promethean spirit in its youthful heyday of exuberance. But in old age, it all seems preposterous, and hence in vain as the West has become tired of itself and unable to innovate in either the arts or philosophy. The West is on its way to the grave and what will see the light next must necessarily be something completely new and not just a corpse reanimated.
Heraklit
Der Sieger
Einführung zu Ernst Droems "Gesängen"
Pessimismus?
Frankreich und Europa
Aufgaben des Adels
Plan eines neuen Atlas Antiquus
Altasien
Nietzsche und sein Jahrhundert
Zur Entwicklungsgeschichte der deutschen Presse
Entwurf zu einem juristischen Preisausschreiben
Vom deutschen Volkscharakter
Einführung zu einem Aufsatz Richard Korherrs über den Geburtenrückgang
Das Alter der amerikanischen Kulturen
Der Streitwagen und seine Bedeutung für den Gang der Weltgeschichte
Gedicht und Brief
Zur Weltgeschichte des zweiten vorchristlichen Jahrtausends
Ist Weltfriede möglich?
Diese kleine Schrift ist aus Aufzeichnungen hervorgegangen, die für den "Untergang des Abendlandes", namentlich den zweiten Band bestimmt, die teilweise sogar der Keim waren, aus dem diese ganze Philosophie sich entwickelt hat.
Spenglers Werk wird in Zyklen immer wieder neu entdeckt. Samuel P. Huntington greift mit seinen Thesen vom "Kampf der Kulturen" wesentlich auf Spenglers "Untergang" zurück. In globalen Krisenzeiten wird Spenglers konsequente Weltsicht der schicksalhaften Entwicklung von Imperien als Horoskop der Weltgeschichte gesehen. Eine brauchbare Blaupause zur Lösungsfindung stellen sie nicht dar.
Null Papier Verlag
In the second and more controversial, albeit optimistic, volume of The Decline of the West, Oswald Spengler deals with the world historical perspectives of his comparative cultural morphology. The periodical calm surrounding the constant and eternally recurring movements, described in the first volume, is over. Spengler develops his theory of "Caesarism" - a tendency towards dictatorship peculiar to mass democracy.
According to Spengler, today we live in the decadent stage of civilization. Previously, the people of culture used money for buying and selling while their main thoughts and occupations lay elsewhere. The people of civilization, however, exclusively think in terms of money and nothing else. That is why our period is also marked by rapacious oligarchs, cunning stock market manipulation, a flourishing art trade and boundless corruption. Only the return of the eternal values of blood and race, through the coming of the Caesars, can destroy the tyranny of the financial mind. Thus Caesarism will bring the victory of strength politics over capital, breaking the pecuniary power and promoting national welfare.
The scene is set for the final battle between the forces of plutocracy and chaos and the political will and order of the Caesars.
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