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The Love Songs of W.E.B. Du Bois: An Oprah's Book Club Novel (English Edition) eBook Kindle
INSTANT NEW YORK TIMES BESTSELLER
AN OPRAH BOOK CLUB SELECTION
LONGLISTED FOR THE NATIONAL BOOK AWARD FOR FICTION • A FINALIST FOR THE KIRKUS PRIZE FOR FICTION • SHORTLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE • LONGLISTED FOR THE ASPEN WORDS LITERARY PRIZE
A New York Times Notable Book of the Year • A Washington Post 10 Best Books of the Year • A Oprah Daily Top 20 Books of the Year • A BookPage Best Fiction Book of the Year • A Booklist 10 Best First Novels of the Year • A Kirkus 100 Best Novels of the Year • A Parade Pick • A Chicago Public Library Top 10 Best Books of the Year
An Instant Washington Post, USA Today, and Indie Bestseller
"Epic…. I was just enraptured by the lineage and the story of this modern African-American family…. A combination of historical and modern story—I’ve never read anything quite like it. It just consumed me." —Oprah Winfrey, Oprah Book Club Pick
An Indie Next Pick • A New York Times Book Everyone Will Be Talking About • A People 5 Best Books of the Summer • A Good Morning America 15 Summer Book Club Picks • An Essence Best Book of the Summer • A Time 11 Best Books of the Month • A Washington Post 10 Books of the Month • A CNN Best Book of the Month • A Ms. Most Anticipated Book of the Year • A Goodreads Most Anticipated Book of the Year • A BookPage Writer to Watch • A USA Today Book Not to Miss • A Chicago Tribune Summer Must-Read • An Observer Best Summer Book • A Millions Most Anticipated Book • A Ms. Book of the Month • A Well-Read Black Girl Book Club Pick • A BiblioLifestyle Most Anticipated Literary Book of the Summer • A Deep South Best Book of the Summer • Winner of an AudioFile Earphones Award
The 2020 NAACP Image Award-winning poet makes her fiction debut with this National Book Award-longlisted, magisterial epic—an intimate yet sweeping novel with all the luminescence and force of Homegoing; Sing, Unburied, Sing; and The Water Dancer—that chronicles the journey of one American family, from the centuries of the colonial slave trade through the Civil War to our own tumultuous era.
The great scholar, W. E. B. Du Bois, once wrote about the Problem of race in America, and what he called “Double Consciousness,” a sensitivity that every African American possesses in order to survive. Since childhood, Ailey Pearl Garfield has understood Du Bois’s words all too well. Bearing the names of two formidable Black Americans—the revered choreographer Alvin Ailey and her great grandmother Pearl, the descendant of enslaved Georgians and tenant farmers—Ailey carries Du Bois’s Problem on her shoulders.
Ailey is reared in the north in the City but spends summers in the small Georgia town of Chicasetta, where her mother’s family has lived since their ancestors arrived from Africa in bondage. From an early age, Ailey fights a battle for belonging that’s made all the more difficult by a hovering trauma, as well as the whispers of women—her mother, Belle, her sister, Lydia, and a maternal line reaching back two centuries—that urge Ailey to succeed in their stead.
To come to terms with her own identity, Ailey embarks on a journey through her family’s past, uncovering the shocking tales of generations of ancestors—Indigenous, Black, and white—in the deep South. In doing so Ailey must learn to embrace her full heritage, a legacy of oppression and resistance, bondage and independence, cruelty and resilience that is the story—and the song—of America itself.
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Sobre o Autor
Honorée Fanonne Jeffers is a fiction writer, poet, and essayist. She is the author of five poetry collections, including the 2020 collection The Age of Phillis, which won the NAACP Image Award for Outstanding Literary Work in Poetry and was longlisted for the National Book Award for Poetry and the PEN/Voelcker Award. She was a contributor to The Fire This Time: A New Generation Speaks About Race, edited by Jesmyn Ward, and has been published in the Kenyon Review, Iowa Review, and other literary publications. Jeffers was elected into the American Antiquarian Society, whose members include fourteen U.S. presidents, and is Critic at Large for Kenyon Review. She teaches creative writing and literature at University of Oklahoma.
Prentice Onayemi is an Earphones Award-winning audiobook narrator and a voice and film actor who is known for his roles in The Steam-Room Crooner, AmeriQua, and as Joey in the Tony Award-winning play War Horse.
Adenrele Ojo is a native Philadelphian who currently resides in Los Angeles by way of New York. She is a wearer of many creative hats: actress, voice-over artist, writer, producer, and photographer. Adenrele is a theater baby (daughter of the late founder of The New Freedom Theatre in Philadelphia, John E. Allen Jr.) who received her BA in theater from Hunter College in New York and honed her skills at the William Esper Studio, studying Meisner under the auspices of Maggie Flanigan. No stranger to the stage, a few of her theater credits include August Wilson's Jitney (NJPAC); Bronzeville (Robey Theatre Co.); Joe Turner's Come and Gone (nominated for an L.A. Stage Alliance Ovation Award for Featured Actress); and The Ballad of Emmett Till by Ifa Bayeza, directed by Shirley Jo Finney, which won the 2010 L.A. Stage Alliance Ovation Award & the Los Angeles Drama Critics Award for Best Ensemble. She moves from stage to screen in such feature films as Within; Family; Elevate and Bathroom Vanities, a don't-judge-a-book-by-it's-cover comedy about one woman's unforgettable experience in a ladies' bathroom, directed by Christopher Scott Cherot (Hav Plenty and G), which Adenrele starred, cowrote and produced under the umbrella of her production company, NeW YiLLy Entertainment. Ojo's voice can also be heard on many audiobooks, which she has been recording since 2007 and for which she has received several AudioFile Earphones Awards. Some of her works include Katie Couric's The Best Advice I Ever Got, Someone Knows My Name by Lawrence Hill, The Mothers by Brit Bennett (AudioFile Best of 2016 Fiction), Weapons of Mass Seduction by Lori Bryant-Woolridge, Oprah's Book Club 2.0 pick, The Twelve Tribes of Hattie by Ayana Mathis, The Healing by Jonathan Odell, Unforgivable Love by Sophfronia Scott and Billions and Billions by Carl Sagan. When she is not recording, you can sometimes find her directing authors, celebrity actors, and other audiobook narrators.
Karen Chilton is a New York-based actor and writer and an accomplished voice-over artist and narrator. She has narrated dozens of audiobooks, won three AudioFile Earphones Awards, and in 2020 won the prestigious Audie Award for Best Nonfiction Narration. Her voice can be heard on numerous national network television, radio, and Internet advertising campaigns.--Este texto se refere à uma edição esgotada ou disponível no momento.
Detalhes do produto
- ASIN : B08F7RSXPD
- Editora : Harper (24 agosto 2021)
- Idioma : Inglês
- Tamanho do arquivo : 3368 KB
- Leitura de texto : Habilitado
- Leitor de tela : Compatível
- Configuração de fonte : Habilitado
- X-Ray : Habilitado
- Dicas de vocabulário : Habilitado
- Número de páginas : 801 páginas
- Ranking dos mais vendidos: Nº 377,627 em Loja Kindle (Conheça o Top 100 na categoria Loja Kindle)
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I have just begun to read this book today--when it arrived--and wanted to address the quality of the book and the deckle edge. Many people are "reviewing" this wonderful novel by rating it low and complaining about "the poor quality" of the book and the paper, stating that they've never seen anything like it before.
The book is simply produced with a "deckle edge", which is a rough, untidy, rugged edge. Many books, both hardback and paperback, of today and of years ago, are made with this type of page edge on the right and left edges of the book. I am guessing that the critics have not seen this before. It is not the prettiest deckle, as I think it is a little tiny bit rough, but if so many people hadn't complained, I'd never have noticed it. It looks like it was intended to be that way. I personally love a deckle edge like this.
The paper quality is wonderful and doesn't feather or bleed through when highlighted or underlined in regular ballpoint pen.
I do think that it is as nice as any other hardback I've purchased, and not defective or inferior!
I have only begun to read this, and will edit this "review" with an actual review of the novel later when I finish it. I just didn't think it fair to this marvelously talented author that people look at the reviews (of which there are 14 as of the time of this writing) and see extremely low reviews--when there are just simply quite a few people unfamiliar with both deckle edges and the evaluation of paper quality!
Also, all of the pagination seems fine. It appears that some people are believing that they are experiencing rather strange problems. This appears to me to be a fine hardback book, and actually quite a good value considering the number of pages and the quality of the writing so far.
UPDATE: 10 days later...
The first thing I want to recommend about this book is that people purchase the hardback version. The reason is that in the process of learning about all of the characters here, the reader keeps referring back to the genealogy of the ancestors in the front of the book. So many times. I know this sounds like a huge hassle, but it is NOT—it is a part of understanding a whole community of ancestors, and it is necessary to really understand the many, many facets of their story.
Also I looked back again and again at the chapters in the table of contents that were flashbacks in time for reference. Of course you can do this with an e-reader but it is much more cumbersome. This is a precious story, one that I will read and re-read, and it is one that I keep notes in and want to refer back to. I know that this can be done as well with a Kindle, but it is different, and I strongly prefer a physical hardback book. Think of your favorite book ever, and if you want that to be in a hardback form, you want this one to be the same.
I read this book in ten days and it was a beautiful adventure, one that I wished would never end. It is the story of not just of a woman (though it is that too), but the story of a people—all of the main character’s ancestors too. All those who came before her. The main character’s story cannot be understood apart from them. In reading this story, I came to experience this in a very profound way—how we are all connected to those who came before us, and how they all are a very real part of us now. Of course, I would have said that I recognized this before I read the book, but now I understand this in a really visceral way as well.
This book is a portal into seeing a part of a people’s experience that I could not experience any other way. Not just African Americans, but Native Americans and White people too, in a way that is raw and real and impactful, because of the pain, cruelty, humanness, kindness, and familial love that permeates this novel.
I want to give a trigger warning as this book reflects the reality of harsh living in the early part of our country’s history, including stories of abuse and violations of all types. None of it is gratuitous though, and much of the details are left to the imagination, expressed as people of that time would if they were sharing it with others.
The novel takes place for the most part in Chicasetta, Georgia, and follows many generations of the people who lived there. It is inclusive in that it enables the readers to witness the thoughts, decisions, and justifications of many loving actions and even more horrendous and grotesque actions. In other words, it is a human experience for this time in history. I felt like I entered into a place that would be closed off to me because of time, race, and geography. I felt privileged to hear these precious stories. Even though this is fiction, I do think that the stories are familiar and common to so many families of that time. And to those alive now, too.
I just finished now this book and am so sad to leave these characters behind. I cannot imagine anyone regretting purchasing this book, and investing hours in reading it, gaining the privilege of participating in a world view that this so comprehensive that they’d never be invited it into otherwise. I feel like I’ve had a vital glimpse into what Black people and Native Americans have experienced, and White people too—one that I could gain in no other way.
Highest recommendation, one of my favorite books, ever.
I really really had high hopes for this book when I started reading it. I could hear in my head the character’s accents and they way they spoke which I love.
There are two stories running together, which I couldn’t connect.
The story was so predictable. I was enjoying the most up to date story, but I wasn’t enjoying the story based well into the past to the point I hated the characters. The more cross I became the more I disliked the book unfortunately.
I have a theory that there are so many brilliant books out there to read, and if my heart isn’t invested in what I am reading, I’m just waisting time. I absolutely hate to shelve a book.
So I have put it to the side and maybe I will pick it up again when I feel up to trying again with it.
This isn’t a book I would recommend unfortunately.