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Livros de Christopher Buehlman
Kinch Na Shannack owes the Takers Guild a small fortune for his education as a thief, which includes (but is not limited to) lock-picking, knife-fighting, wall-scaling, fall-breaking, lie-weaving, trap-making, plus a few small magics. His debt has driven him to lie in wait by the old forest road, planning to rob the next traveler that crosses his path.
But today, Kinch Na Shannack has picked the wrong mark.
Galva is a knight, a survivor of the brutal goblin wars, and handmaiden of the goddess of death. She is searching for her queen, missing since a distant northern city fell to giants.
Unsuccessful in his robbery and lucky to escape with his life, Kinch now finds his fate entangled with Galva's. Common enemies and uncommon dangers force thief and knight on an epic journey where goblins hunger for human flesh, krakens hunt in dark waters, and honor is a luxury few can afford.
And Lucifer said: “Let us rise against Him now in all our numbers, and pull the walls of heaven down…”
The year is 1348. Thomas, a disgraced knight, has found a young girl alone in a dead Norman village. An orphan of the Black Death, and an almost unnerving picture of innocence, she tells Thomas that plague is only part of a larger cataclysm—that the fallen angels under Lucifer are rising in a second war on heaven, and that the world of men has fallen behind the lines of conflict.
Is it delirium or is it faith? She believes she has seen the angels of God. She believes the righteous dead speak to her in dreams. And now she has convinced the faithless Thomas to shepherd her across a depraved landscape to Avignon. There, she tells Thomas, she will fulfill her mission: to confront the evil that has devastated the earth, and to restore to this betrayed, murderous knight the nobility and hope of salvation he long abandoned.
As hell unleashes its wrath, and as the true nature of the girl is revealed, Thomas will find himself on a macabre battleground of angels and demons, saints, and the risen dead, and in the midst of a desperate struggle for nothing less than the soul of man.
Haunted by memories of the Great War, failed academic Frank Nichols and his wife have arrived in the sleepy Georgia town of Whitbrow, where Frank hopes to write a history of his family’s old estate—the Savoyard Plantation—and the horrors that occurred there. At first their new life seems to be everything they wanted. But under the facade of summer socials and small-town charm, there is an unspoken dread that the townsfolk have lived with for generations. A presence that demands sacrifice.
It comes from the shadowy woods across the river, where the ruins of the Savoyard Plantation still stand. Where a long-smoldering debt of blood has never been forgotten.
Where it has been waiting for Frank Nichols....
Kinch Na Shannack le debe una pequeña fortuna al Gremio de los Ladrones, que lo educó en las artes del latrocinio; formación que, entre otras cosas, incluye violar cerraduras, luchar con cuchillos, escalar paredes, caer sin hacerse daño, urdir mentiras, tender trampas y utilizar un puñado de conjuros bastante discretos.
Su deuda le ha llevado a esconderse en el bosque junto a la antigua carretera, acechando y listo para asaltar al primer incauto que se cruce en su camino. Hoy, sin embargo, Kinch Na Shannack ha elegido a la víctima equivocada.
Galva, una guerrera superviviente de las encarnizadas guerras contra los goblins y leal seguidora de la diosa de la muerte, está buscando a su reina, desaparecida desde que una lejana ciudad
del norte sucumbiera a los ataques de los gigantes.
Una vez frustrado su intento de robo y afortunado por haber escapado con vida, Kinch descubre que su destino está ligado al de Galva. Sus enemigos en común, y un cúmulo de amenazas bastante insólitas a las que los dos se enfrentan, empujan al ladrón y a la guerrera a embarcarse en un periplo de épicas dimensiones. Deberán luchar contra goblins hambrientos de carne humana y krakens al acecho en las siniestras profundidades. En este mundo, como comprobarán en el transcurso de sus aventuras, el honor es un lujo que no está al alcance de todos.
The man on the screen says this in Russian.
“Who are you?”
The man smiles, but it’s not a pleasant smile.
The image freezes.
The celluloid burns exactly where his mouth is, burns in the nearly flat U of his smile. His eyes burn, too.
The man fades, leaving the burning smiley face smoldering on the screen.
“Oh Christ,” Andrew says.
The television catches fire.
Andrew Ranulf Blankenship is a handsome, stylish nonconformist with wry wit, a classic Mustang, and a massive library. He is also a recovering alcoholic and a practicing warlock, able to speak with the dead through film. His house is a maze of sorcerous booby traps and escape tunnels, as yours might be if you were sitting on a treasury of Russian magic stolen from the Soviet Union thirty years ago. Andrew has long known that magic was a brutal game requiring blood sacrifice and a willingness to confront death, but his many years of peace and comfort have left him soft, more concerned with maintaining false youth than with seeing to his own defense. Now a monster straight from the pages of Russian folklore is coming for him, and frost and death are coming with her.
"A Russian man’s drowning launches this rambunctious magical melee. Buehlman (Those Across the River) pits Andrew Blankenship and Anneke Zautke, companions in witchcraft and Alcoholics Anonymous, against Russian ogress Baba Yaga, whose son, Misha, falls prey to mischievous water sprite Nadia, a friend (of sorts) of Andrew’s. Contrasting with exotic magical escapades, real-world losses haunt both Anneke and Andrew. As the threat from Baba Yaga mounts and bad things happen to Andrew’s sidekicks, the eponymous house no longer provides a certain refuge. The logic of the plot is eclipsed by the eruption of characters who evoke Dickensian whimsy and range from the merely unusual to the bizarrely imaginative. Within this magical universe, rivalries, revenge, and self-seeking contend with the willingness to sacrifice. The final confrontation, evolving in part from Andrew’s prior service to Baba Yaga and her daughter Marina’s defiance, wreaks an ambiguous ending in an explosion of enthralling fantasy..."
"A scary, funny, fast-paced urban fantasy novel with a rich voice and likable characters...one of the most well-crafted and exciting books I have read in a while."
“As much F. Scott Fitzgerald as Dean Koontz” (#1 New York Times bestselling author Patricia Briggs), Christopher Buehlman excels in twisting the familiar into newfound dread in his “genre-bending” (California Literary Review) novels. Now the acclaimed author of Those Across the River delivers his most disquieting tale yet...
The secret is, vampires are real and I am one.
The secret is, I’m stealing from you what is most truly yours and I’m not sorry...
New York City in 1978 is a dirty, dangerous place to live. And die. Joey Peacock knows this as well as anybody—he has spent the last forty years as an adolescent vampire, perfecting the routine he now enjoys: womanizing in punk clubs and discotheques, feeding by night, and sleeping by day with others of his kind in the macabre labyrinth under the city’s sidewalks.
The subways are his playground and his highway, shuttling him throughout Manhattan to bleed the unsuspecting in the Sheep Meadow of Central Park or in the backseats of Checker cabs, or even those in their own apartments who are too hypnotized by sitcoms to notice him opening their windows. It’s almost too easy.
Until one night he sees them hunting on his beloved subway. The children with the merry eyes. Vampires, like him…or not like him. Whatever they are, whatever their appearance means, the undead in the tunnels of Manhattan are not as safe as they once were.
And neither are the rest of us.